by Friends of the Red Hook Public Library

The Friends of the Red Hook Public Library’s proposed Children’s Learning Garden will offer up to 1,200 square feet of additional space that can be utilized by the library six months of the year. It will offer outdoor space for many more activities and a whole new dimension of children’s outdoor learning experiences. Fundraising for the project kicked off on Apple Blossom Day in May, and in one month, $12,000 in donations and in-kind support was raised. Only $5,000 additional dollars needs to be raised in order to make the Children’s Learning Garden a reality.

The library envisions an area that can be utilized for children’s crafts and educational programs such as: creating environmental awareness of good eating habits (ground to table); the joys of gardening (vegetables, flowers, plants); and the benefits of insects and other garden creatures to our world. The area may also be used as a demonstration area for gardening, photography, and more activities with hands-on experience.

In addition, the area can be used by all library patrons (children, tweens, teens, adults and senior citizens) for reading, relaxation, and reflection. It will also be an ideal location for educational programs,  like renewing awareness of Red Hook’s history as a rural farming community, displaying garden art and photos, and more. The library imagines an inviting outdoor space for events, and a relaxing meeting space that can be used by book clubs, local organizations, and others.

The space is directly adjacent to the entrance to the children’s library, making for safe and easy access for children of all ages. Safety and decorative fencing will be installed to protect the children from the close proximity of the handicapped parking area. The area will be handicapped accessible with cement walkways and a table that will accommodate a wheel chair. There will be an outdoor potting bench with sink for easy wash up. A minimum of three cement tables and chairs will be installed to accommodate up to 20 or more children at a time for activities. Up to ten large barrels will be provided for the children to plant vegetables and flowers. The cement retaining wall will be painted in a cheerful mural appropriate for a Children’s Learning Garden. Adult seating will be provided, and the perimeter of the area will be planted with decorative shrubs and plants.

Once the project is completed, it will require minimum upkeep. The Friends of the Red Hook Public Library have already committed to a yearly amount of money for maintenance, and volunteers will be solicited each spring to clean up, maintain and replant the flower beds. In the meantime, those interested in supporting the Children’s Learning Garden by making a donation or volunteering, are encouraged to contact the Friends of the Red Hook Library by email at FriendsRHPL@yahoo.com, or by calling the library at 845.758.3241.

by admin

“Living Eden ~ a place for humane beings” is scheduled to open on May 11, 2013 (Apple Blossom Day) in Red Hook, NY. The new store is located at 29 West Market Street in a beautifully remodeled historic building.

“The niche of the modern vintage-inspired boutique is to offer stylish and affordable USA made, fair trade, cruelty free, vegan, and other conscious products all in one beautiful store designed to inspire customers,” says Bobbi Jo Forte, Co-Founder and Marketing Director for Living Eden. She goes on to say that “Red Hook, Tivoli, and Rhinebeck are home to an abundance of natives and transplants who are passionate about environmental and social issues, and want to feel the satisfaction of picking up a product and seeing where it is made, and what good it is doing for people, animals, and the planet.”

The boutique will offer eco-chic clothing for women, men, and kids, fair trade home decor, cruelty-free cosmetics, green toys, upcycled gifts, natural products for baby, and more. The adjacent “Market” will feature a selection of local farm market products such as jams, sauces, and syrup plus a variety of slavery-free chocolates, super foods, and vegan products. “This store is a dream come true—full of products I believe in—and it is an honor to share this more compassionate way of life with others who are equally inspired by conscious capitalism and social progress,” says co-founder Bonnie Schweppe.

The other draw of Living Eden will be workshops and classes hosted by artists, authors, fine crafts people, and other experts. “As social creatures we crave inspiration and knowledge so the workshops will provide a venue for learning fine crafts and trades, and will hopefully have a positive impact on Red Hook’s economy by bringing more foot traffic to the Village,” states Forte.

LivingEden.com will offer an online store and blog featuring most of what the brick and mortar store offers. It will launch on May 11, 2013, as well. Additionally, the company will have a strong presence on Facebook and other social media platforms.

Partners Bobbi Jo Forte and Bonnie Schweppe have been working on the Living Eden concept for more than a year. The two met when Schweppe was buying a barn for her new mini farm sanctuary and Forte was helping a stray dog. An instant friendship was formed. During their many animal rescue adventures, they discovered each other’s passion for living more compassionately—and the Living Eden concept was born. Friend and aspiring designer Kaitlin Forbes joined the team in February 2013.

According to Red Hook Village Mayor Ed Blundell, Living Eden is a perfect fit for Red Hook’s new vibe. “Our village has been at the forefront of developing the vibrant setting that residents need and want. Our work to improve walkability and seek new, exciting businesses is coming to fruition with the news that Living Eden is getting ready to open shop shortly. Landlord Jack Dillon had done a remarkable restoration of his building, and now we are getting a creative retailer with a conscience—a real win for the Village. We welcome Living Eden, and encourage residents and visitors alike to shop local and support all of our locally-owned shops.”

For general questions email Living Eden at info@livingeden.com, or call 845.475.2619. And be sure to check out the store in person in Red Hook Village, and online at LivingEden.com starting May 11.

by admin

The Rhinebeck and Red Hook arts communities are hosting the 10th annual Art Along the Hudson (AAH) Spring Kick-off Media Event on Wednesday May 15, 2013. It’s an opportunity to showcase the expanding arts community in the northern area of Dutchess County. The purpose of this AAH event is to bring together business owners, elected officials, artists, arts patrons and the media with a focus on the many and varied cultural opportunities available and how they generate economic growth.

The evening begins in the Rhinebeck High School auditorium at 5:30 p.m., with guest speakers celebrating the role the Arts have in our lives. We are very fortunate to have NYS Senator Terry Gipson and Dutchess County Executive Marc Molinaro share a few words about the Arts and Economic Development in our region. Keynote speaker Liza Donnelly, local cartoonist with the New Yorker, will share her views concerning the Arts and Education.

The celebration continues at the Juried Art Exhibit reception at the Betsy Jacaruso Studio & Gallery, 43-2 E Market Sreet (in the courtyard behind Bread Alone) in Rhinebeck, with refreshments donated by village restaurants and live music.

The art exhibit was juried by Dennis Anderson, who served as the Director of Curatorial & Tour Services at the Empire State Plaza Art Collection in Albany for 22 years, and Mary-Kay Lombino, who is The Emily Hargroves Fisher ‘57 and Richard B. Fisher Curator at The Frances Lehman Loeb Art Center at Vassar College. They selected artwork representing each of the AAH communities along the Hudson River corridor: Ossining, Peekskill, Garrison/Cold Spring, Beacon, Newburgh, Greater New Paltz Area, Poughkeepsie/Hyde Park, Rhinebeck/Red Hook, Kingston, Saugerties, and Woodstock.

Art Along the Hudson, now expanded to 11 neighborhoods, is a unique year-round collaborative marketing effort to promote towns on or near the river as vibrant arts and cultural communities. It also promotes seven Hudson Valley Studio Tours offering art lovers great opportunities to meet the many artists living and working in the Hudson Valley. A new 2013 brochure will be available at the Kick-Off Event describing the art venues and studio tours.

The Arts are now more than ever a significant economic factor in the revitalization of Main Streets. It is in large part the arts and cultural organizations that help fill restaurants and lodgings, and bring dollars and jobs to the Hudson Valley. From major metropolitan areas to small rural towns, the research shows to what degree the nonprofit arts and culture industry attracts audiences, spurs business development, supports jobs and generates government revenue. Locally, as well as nationally, the arts mean business.

Join us to celebrate our vibrant cultural communities and a year of arts events that will stir the soul and engender prosperity. The Juried Art Exhibit will be on view from Thursday, May 9–Saturday, June 1, at Betsy Jacaruso Studio & Gallery, 43-2 E Market St (the courtyard behind Bread Alone) 845-516-4435. Gallery Hours: Thurs. 11 a.m.-5 p.m., Fri. & Sat. 11 a.m.-6 p.m., Sun. 11 a.m.-5 p.m.

For more information on the exhibitions and offerings of the Art Along the Hudson Kick off evening contact: betsyjacaruso@gmail.com or visit www.artalongthehudson.com

by Chelsea Streifeneder

Here we are almost in the New Year. There’s nothing like a couple of weeks of holiday over indulgences to convince us that it’s time to turn over a new leaf and become better, fitter, and slimmer. So each year on January 1st, we resolve to give up drinking or chocolate, adopt a diet, exercise seven days a week, and be in bed by ten every night. But within a week or two we’re stumbling back into our old habits! It’s amazing how three little words-New Years resolution-can conjure up so much emotion in people. So for 2013, why not make a resolution that you will love for years to come? Try Pilates!

Focusing on the body’s core, Pilates is an overall conditioning routine that helps build flexibility, strength, and endurance in the legs, abdominals, arms, hips, and back. It also improves balance and coordination, making you more graceful. As an added bonus, the breathing techniques help relieve stress. How many other resolutions can do all that?

I like to consider fitness and health a life-long endeavor. Think of fitness and health as a way to survive the stresses of life as well as look younger and feel more alive. There are some very basic tools that Joseph Pilates used in his technique for life-long health. Joseph Pilates did not consider Pilates to be just another form of exercise, he considered Pilates to be a way of life. He believed that through Pilates you could achieve your highest potential physically, mentally, and emotionally. A strong body representing a strong mind, a stronger mind creating a stronger body…all of this transferring into ultimate happiness and a better world to live in. (Pilates, J. (1945). Return to Life Through Contrology).

Pilates is a lifestyle that any person, young or old, weak or strong can incorporate into his or her life. The benefits of doing Pilates are life changing. Pilates promises more than a toned physique, it is a mind-set, a more positive outlook on the body, and an overall lifestyle change. It trains the brain to focus on each movement and muscle, a concentration that later translates into everyday relationships and work. Precision, mind control, and posture are just a few of these benefits. In particular, the breath synchronization techniques used in Pilates slow us down and makes us much more aware of the present moment. This is where the real lifestyle change happens-commitment to each moment in class as another opportunity to better ourselves and the bodies we’ve been given. After spending a day at the office, this concentration allows us to slow down and re-organize our priorities-whether toward your husband’s birthday, making time for your daughter’s school play, or allowing yourself a night free of distractions.

I recently asked my clients how Pilates has improved their quality of life. Their answers were similar in that they all felt stronger, taller, had more energy, no more pain, and couldn’t wait until their next session.  I always warn clients when they start that Pilates can be addicting!

As an instructor I can tell you, when done correctly, the movements result in strength, flexibility, coordination, improved posture and more efficient movement. Pilates was developed to improve performance of the physical activities we love and to prevent injury. I appreciate Pilates as a mindful activity in which we shut off our minds and explore our bodies. I appreciate the relaxation/stress reduction benefits, the improvements in mental focus, concentration, memory, and creativity.

Joseph Pilates is known to have said, “I’m 50 years ahead of my time,” and, “Physical fitness is the first requisite of happiness.” He was right on both accounts. He would be astounded to see what his method of exercise has become, and he would likely be thrilled and surprised to see how well Pilates has been accepted and all of the lives and lifestyle changes that have been made through Pilates! So as we rapidly approach 2013, why not make all your friends, family, and loved ones jealous by not only getting the body and mind Pilates can give you, but also actually committing to your New Years resolution? Don’t let another year pass you by.

Chelsea Streifeneder is the owner of Body Be Well Pilates studios in Red Hook and Catskill. To learn more visit http://www.bodybewellpilates.com.

by Jim Gibbons

Well it’s that time of year again for us at Hudson Valley Mercantile. It’s time to take a few moments out of our hectic lives to pause and reflect on all the things for which we are thankful.

This particular issue of Mercantile represents our fourth annual “Gratitude” edition. Each year this issue reflects our attempt to put a more grateful spin on a holiday preview edition of our modest monthly arts and entertainment magazine. We initiated this concept while planning our November issue of Mercantile in 2009. We were wrapping up a year through which we had seen our relatively new small publishing company weather America’s worst economic year since the Great Depression. Naturally we were grateful to have succeeded to the extent we had, and presumed there were others like us out there in the Hudson Valley who were also grateful for their own economy-defying business survival.

The theme has consistently resonated each year with readers, editorial contributors and advertisers alike. But let’s be honest, it’s not exactly a controversial concept – asking people to consider for a moment the blessings in their lives. In a culture that has become increasingly polarized by politics, cynical social debates and a slow-moving economy, there is still universal acceptance of the merits – if not the application – of gratitude.

I generally approach this issue each year with an idealist’s gait. It’s one of those prerogatives of which we are proud as independent publishers, where we attempt to shape human interaction in our small corner of the Hudson Valley. It’s our annual pre-holiday card to our community; wishing everyone a happy holiday season to come with our hope of conveying one simple but important theme: no matter your challenges, take the time to be grateful for the good things in your life. In past years I’ve found myself in the month preparing this issue joyfully taking inventories of my own blessings – of family, friends, business prospects, and my relative health and safety at a rather precarious point in global history.

This year, though, the month leading to this thanksgiving issue tested this annual exercise of looking on the bright side of things. A cumulative series of minor business and personal setbacks met the high-pressure system that was the ongoing divisive discourse of national election campaigns, resulting in a perfect storm of insecurity and anxiety for me. Visibility and my perspective became limited. As a dark cloud fixed above my head for nearly a month, I had a hard time getting into a grateful mood.

I imagine anyone reading this can relate to the standing hopeless feeling one gets when stymied in a prolonged rut. Even the most wholesome experiences are viewed with reluctance or even consternation. It was with this frame of mind – or pretty close to it – that I traveled to a recent meeting in Red Hook.

As publishers of Mercantile, Heather and I had engaged the Red Hook Bicentennial Committee nearly two years ago to offer monthly coverage of the 2012 Red Hook Bicentennial celebration in Mercantile. We had offered a publication strategy that included a special edition dedicated to commemorating this special point in Red Hook’s history. Two years later, all of that had come to pass. We were consistently proud of our participation throughout the festivities and were obliged to attend a meeting planned for the end of October to celebrate all that had been achieved by the group. Then came Sandy – more bad weather – and the meeting was rescheduled to Election Day.

We were a bit late for the meeting. Walking up the wooden ramp leading to the back entrance of the historic Elmendorf Inn in Red Hook, we saw through the windows a rather large group of people already seated in colonial era chairs around a series of long colonial era tables set together family style and topped with a cornucopia of refreshments. I admonished the kids to remember their manners, sighed silently to myself, and we then sheepishly entered and insinuated ourselves into the meeting. Then Loretta Campagna began to speak.

Loretta is a community organizer of some renown in Red Hook. After some incredible contributions to the Red Hook Public Library’s Big Read events a couple years back, she emerged for many as the obvious choice to spearhead planning for Red Hook’s Bicentennial celebrations. By all accounts she took on the task with her usual task-master zeal – all the while unrelenting and nurturing – making every volunteer know that they were involved in a once-in-a-lifetime community phenomenon. For her part, Loretta has received the undying thanks of the community with a number of awards and resolutions. She accepted all the accolades on behalf of her minions of volunteers.

I entered the meeting mindful of all this. Still, I was dubious of my capacity to appreciate it fully. But what followed was 90 minutes of sheer gratitude that I hope to remember for the rest of my life. Loretta proceeded to recount the heroic efforts of dozens of standing committee members for the better part of the past two years. With each acknowledgement of each action of planning and implementation for the Bicentennial, the group applauded generously and sincerely. It was Loretta’s mission to selflessly thank every single person who helped make the year-long celebration of Red Hook’s heritage an overwhelming success. And it turns out that expressions of gratitude are contagious. Volunteers were asked to share their thoughts on the experience. To a person, they expressed their joy and their thanks for the opportunity to embrace the community in this special way. At long last these were selfless expressions for the collective We.  There were no political aspirations, no ulterior motives or insidious agendas; only kind words of appreciation for a community brought together as one.

The way I was feeling going into that meeting, the very last thing I wanted to do was to spend an hour and a half listening to a bunch of community do-gooders congratulating themselves. But then a funny thing happened almost by necessity for me. I found myself with my family in the middle of a room filled with a group of Community Do-gooders thanking each other for their shared efforts; taking a collective bow for a job extremely well-done. It was a Grinch-like epiphany for me and I was reminded of what it means to be grateful.

by photographs by Seeger Solutions

The 5th annual Art Studio Views (ASV) studio tour presents a tantalizing smorgasbord of art offerings and demonstrations this Labor Day weekend. For the art-loving public who make Art Studio Views an annual excursion, you will not be disappointed. Visitors can look forward to seeing what’s new at their favorite studio, be it photography, painting, printmaking, or ceramics.

Nearly half of the studios are new to the tour this year for visitors to enjoy sculpture, jewelry, glass, and woodcraft, which have been added to the art menu.

From our southern gateway of Hyde Park and Staatsburg to the northern gateway of Tivoli, Red Hook, and Rhinebeck this free open studio event has everything for browsers, art connoisseurs, or families taking a drive in the country. “Spending two glorious days getting an insider’s view of the various art processes and the spaces where these works of art are created is a memorable and unique experience,” says Joanna Hess, director of ASV 2012. “It takes the mystic and mystery away from the artists living and working in isolation,” she said.

Traveling on the self-directed tour through the towns and hamlets in the Northern Dutchess County area is easy using the downloadable map that can be found on the event’s Web site: www.artsnortherndutchess.org/asv. Also on the Web site is a list of the 30 participating artists with samples of the media and range of styles tour-goers will see. “I’ve had the opportunity to photograph each artist in their studio, and walked away with new knowledge and insight about that person’s philosophy on all subjects,” added ASV photographer Alice Seeger. “These particular artists have built a special relationship with one another in a supportive and encouraging way.”

The Rhinebeck Bank, a five-year sponsor of the event, along with Cross River Anesthesiologist Services, are this years’ platinum sponsors of Art Studio Views 2012. Both community-based sponsors anchor the event with their commitment to the arts and enrichment for all people who live, work, and vacation in our area. “With their continued support,” continued Hess, “these sponsors, along with Ameriprise Financial Advisors and additional individually-owned businesses, have helped increase the visibility of these talented individuals who bring an artistic pulse and commerce to our area. We encourage visitors to support our sponsors, as they have supported us.”

Art Studio Views, founded in 2008 by several dedicated artists, is part of a region wide, multi-seasonal celebration of the arts and the creative process. One of its achieved goals is to foster an appreciation for the role that artists play in maintaining the vitality of our Hudson Valley communities.

This year the tour is conveniently organized by town to make it easier for visitors to see more studios in each area. “So, grab your GPS and take a ride!” concludes Hess. “Keep on the look-out for the bright yellow signs, which will guide you to the studios of your choice.”

What “Wood” you do with a BOX?

box by Elizabeth St. Leger

That was the question posed to the artists on this years’ studio tour. As an additional fun element to the Art Studio Views 2012 tour, each artist was given a beautifully hand-crafted wooden box made by Donald Ostoyich of Catskill, NY. These 9”, 5-sided boxes were decorated, sculpted, and built-onto in fanciful ways to celebrate our 5th annual studio tour. It is our way to “give back” and thank our regional community.

The boxes will be displayed in village storefronts in Red Hook, Rhinebeck, and Hyde Park during the month of August. Each box will be labeled with information linking the visitor to our online auction website. The online auction will continue through September 2nd.  Funds raised from this auction will be donated to Vassar Brothers Hospital Pediatric Unit in Poughkeepsie.

By the way-did you know that the material to celebrate the 5th year of commitment is wood?

For further information and a complete list of participating artists, visit www.artsnortherndutchess.org/asv, or contact: Joanna Hess, ASV Director, by email at artstudioviews11@gmail.com. Informational brochures will also be available at the three ASV headquarters locations: Surviving Sisters in Hyde Park; Albert Shahinian Fine Art in Rhinebeck; and Red Hook Community Arts Network Artist’s Collective Gallery in Red Hook.

by Robin Cherry

The Town of Red Hook Bicentennial Quilt

When Red Hook’s Bicentennial Committee came up with the idea of commissioning a quilt to commemorate our separation from Rhinebeck, Diana Louie, who runs the Village Fabric Shoppe on West Market Street, was the natural choice to head the project.  As a member of that Bicentennial Committee, let me just concede, “Easy for us to say.”   The seven-month project was a huge undertaking.

The first step was deciding what should be included. “Initially,” Louie told me, “Patsy Vogel of the Egbert Benson Historical Society of Red Hook gave me a list of 25 historic buildings and I had to see which ones I could get good photographs of. I didn’t think that the picture of St Paul’s Lutheran Church, with its striking rose window, was very good so I got my husband who’s an artist and a good photographer, to take a picture of it. It was one of those beautiful, warm winter days we had this year and since he works from home, I think he was looking for any excuse to get out of the house.”

One of Red Hook’s most historically interesting buildings, the Chocolate Factory, isn’t on the quilt.  According to Louie, “It’s long, low, dark building and if the whole thing was on a fabric block, it would look horrible.  They considered the Hucklebush Railroad Line (so-called because it was so slow that you could hop off and pick berries as the train went by) and although the railroad was significant to Red Hook, it didn’t really work with the rest of the selections. “We also considered violets but ended up going with apples and sheep.  It took a long time to decide what to include because we wanted to make sure we covered a representative range of categories: a house of worship, a government building, a firehouse, a school, and a private home.”

In addition to apples and sheep, the quilt includes St Paul’s, the First National Bank, (now the Village Hall), the Red Hook Central School, the Red Hook Public Library, the Martin/Cookingham House, Montgomery Place, the late, lamented Red Hook Hotel, the Tobacco Factory, Maizeland, and the Elmendorph Inn, as well as Tivoli’s Old Red Church and Watts de Peyster Fireman’s Hall.  The Bicentennial Seal is in the center of the quilt.

“After we gathered all the usable photos, I did line drawings of each of the buildings and made tracing patterns. Then I gave each of the quilters a baggie filled with the fabric and a copy of the drawing.”  In addition to Louie, the quilters, all of whom volunteered their time, were Sandra Martin, Trish Cowperthwaite, MaryAnna Egan, Evelyn Urbom, Helen Fairbarin, Deidra Thorpe-Clark, Jane Winne, Tibbie Klose, and Gail Maury.  And Louie insists, “I couldn’t have done this without Patsy.”

After the quilters finished the squares, they were stitched together and sent to Teresa Husman of Prairie House Quilts in Kansas City for machine quilting. Although she lives in the Midwest now, Husman was actually raised in Red Hook. Louie knew the quality of her work from some quilts she’d done for her sister, a long-time friend and customer of the fabric shop.

Since word of the quilt and its squares has gotten out, people have been coming out of the woodwork to tell Louie their stories. “Tibbie Klose, who quilted the Red Hook Hotel, told me about how her dad and uncle used to get into trouble whenever they came home from the Elbow Room.” The Elbow Room was the bar on the side of the Red Hook Hotel so named for the action required to transfer liquor from bar to body. And Klose wasn’t the only one who had less than savory memories of the Elbow Room.  Louie said she thought of making the Elbow Room’s door a different color so it stood out.  “I’m kind of sorry it’s not around anymore. It sounded like quite the hangout.”

“The one square that we get the most questions about is Maizeland, the neoclassical mansion hidden behind a brick wall on West Market Street. A lot of people don’t recognize it and ask where it is. It turns out that almost everyone knows the wall but not the building.  Unfortunately, it wouldn’t have been possible to include both the wall and the building in one block. As if on cue, when the board of the historical society and I first saw the quilt, one member pointed to Maizeland and asked, “What’s Maizeland?”

The quilt, with its stitched rays radiating from the seal and exquisite fully dimensional representations of Red Hook’s historic buildings and history, is truly a work of art. I shouldn’t be surprised. Louie has a lifelong passion for textiles. She learned to sew from one of her grandmothers and wrote her Master’s Thesis on Dyes and Pigments of the Middle Ages.  In 1990, she made a baby quilt for one of her friends which got her hooked on quilting. In addition to selling fabrics and notions, and offering workshops on everything from Hand-stitching to Therapy Sewing, Louie has a gallery that features selections from her own collection on antique and contemporary quilts.

Fortunately, given all the work involved, Louie really enjoyed the project. “It has been a really interesting project for me,” she said.  “I’ve learned a lot.  I’m not a native of Red Hook and although I’ve lived here for about 15 years, it was nice to learn more about my community.”

After its unveiling on Apple Blossom Day, the official kick-off for the bicentennial celebration, the Bicentennial Quilt will be showcased at several bicentennial events. Once the celebration ends, the quilt will be on permanent display at the Red Hook Town Hall.  To paraphrase Jon Stewart referring to The Book of Mormon, “if aliens come thousands of years from now and the bicentennial quilt is the only record of our celebration,  I will be absolutely satisfied with that.”

by story submitted

More and more people in the Hudson Valley have become familiar with Community Supported Agriculture (CSA) farms, in which members buy a “share” in the farm and, in return, they receive a portion of the farm’s harvest throughout the growing season. In the case of Hearty Roots Community Farm in Red Hook, the “Community” in CSA is not just about communal purchase of farm produce; it is at the heart of how a few young people started their own farm from scratch and have grown the operation over the last nine years.

“We started Hearty Roots when we were aspiring young farmers who had worked at other CSA farms, but we didn’t have land or equipment to start our own operation” says Ben Shute, the farm’s owner and manager. Things changed, according to Shute, when he and the farm’s co-founder were able to rent land from a retired dairy farmer in Red Hook.  “The first few years, we rented just a few acres of land and did almost everything by hand. It’s thanks to our CSA members that we had the money to buy seeds and tools and to pay our bills.”

The burgeoning interest in CSA has allowed the farm to grow substantially since its first year in 2004, when they farmed less than an acre and had about 35 CSA members. This season, Hearty Roots hopes to serve nearly 600 CSA members, who pick up their vegetables either on the farm in Red Hook or in Woodstock, Kingston, or one of five neighborhoods in New York City. “We have been able to expand the farm without going into debt, thanks to the CSA.  Each season we have bought used equipment as we could afford it, and rented additional land.”

The farm has reached another milestone this season, when the farmers at Hearty Roots became landowners this winter. The Shutes (Ben, his wife Lindsey, and their baby daughter Piper) purchased land just up the road from their current location in Red Hook. “We are thrilled that we will be able to have a permanent home for Hearty Roots, where we can build farm infrastructure and improve the soils for decades to come,” says Shute. Once again, Hearty Roots has garnered community support, in this case from the non-profit land trust Scenic Hudson, who purchased a conservation easement on the land to help make its cost more affordable to the farmers. The Shutes are launching a community fundraising campaign this year to help raise additional funds that will protect their land as permanent working farmland that can only be sold to farmers.

“Without our CSA members, we would not have been able to get started or to succeed as a farm” says Shute, “we are so appreciative of our members for making this possible.” The members of the CSA seem appreciative of their farmers as well.  Shute added, “Some members who have been with us for many years have had babies who grew up on our vegetables, and who now run around the farm, picking herbs in the garden!” It seems that the community the farm is building is spanning generations.

Hearty Roots is currently accepting memberships for the 2012 season. More information is available at www.heartyroots.com.

by Kathy Leonard Czepiel

At the turn of the twentieth century, Red Hook was home to a now-forgotten industry. In fact, many Red Hook natives are unaware that it ever existed. But at one time Red Hook, Rhinebeck, and the mid-Hudson Valley were known as “The Violet Capital of the World.” Look closely today, and you’ll notice little hints that remain: the name Garden Street, the greenhouses on the Battenfeld farm in Rock City. Some people even claim that the profusion of wild violets blooming in their back yards each spring are the descendants of cultivated violets that escaped from old greenhouses.

Cultivated “sweet violets” were brought to the Hudson Valley from England by William Saltford in 1886. The mid-Hudson Valley was the perfect location for growing violets for several reasons: easy access to the major market of New York City via train, enough seasonal laborers (many of them women and teenagers), and an abundant supply of fresh soil, which was replenished in the greenhouses each year. At its peak, Red Hook had 350,000 square feet of greenhouses belonging to 40 different growers. Milan and Poughkeepsie were also home to numerous violet farms, and Rhinebeck boasted 115 growers.

The violets were hardy flowers. If stored properly in tanks of cool water, some varieties would last for up to two weeks after picking, and Red Hook growers shipped their flowers throughout the eastern United States, to the Mississippi River and beyond. However, the violets were not easy to grow. The plants were vulnerable to diseases and pests such as botrytis, “green fly” and red spider mites, and they required careful attention, particularly in the early, hot months of the growing season. The flowers were grown in greenhouses, which allowed farmers to maintain the desired temperature for the cool-weather crop. In the summer, when the plants were young, air was kept circulating through the houses by opening ventilating panels in the roof, and sometimes the glass was shaded with a coat of lime. In the winter, coal-fired furnaces kept the flowers from freezing. Because they were growing indoors, the plants had to be watered by hand. In those days before most farms had electricity, this meant using a hand pump and a watering can.

The violets were tricky to pick as well. Because every possible foot of space inside the greenhouses had to be planted, aisles between the raised beds were narrow. In order to reach the back of the beds, pickers rested narrow wooden boards on the heating pipes at the far side and the edge of the beds closest to them, and inched their way out on the boards, lying on their sides to pick the flowers. This feat required balance and cannot have been a comfortable way to spend a nine-hour shift. Nevertheless, a strong picker could collect 15 to 20 bunches of 50 blooms each in an hour. The picking season ran from mid-October through Easter. For that end-of-season holiday alone, more than a million blooms were often shipped.

Each violet greenhouse was outfitted with a packing room, where workers would add decorative galax leaves, tie off the bunches, “boot” them to keep the stems moist, and pack them in cardboard crates for shipping. Wagons piled high with violet boxes could often be seen heading down to the railway express office. Residents recalled the especially pleasing aroma of the white violets, but the aroma of manure was always close by. In a 1997 interview with the Rhinebeck Historic Society, violet farmer Richard Battenfeld recalled buying manure from New York City and having it shipped up by box car. According to the interviewer’s notes, “Everybody liked the New York City manure because it was straw-based and had very few weeds.”

The demise of the violet industry has been blamed on a number of factors. The costs of heating and labor skyrocketed after World War I. By the 1920s the violets were seen as old-fashioned, a flower one’s grandmother might wear. Women’s fashions had changed; their clothing was no longer as sturdy, and it was impractical to pin a heavy corsage of fifty violets at the waist or the shoulder. In addition, a short-lived Broadway play, The Captive, about an illicit lesbian love affair, used violets as a love token, thus giving the flower an association that, to many, seemed unsavory. The market was no longer booming, and backyard growers took down their greenhouses and gave up the business. The larger operations continued, although they, too, eventually succumbed to a continued downturn in the market. At one time, there were 400 violet greenhouses in the mid-Hudson Valley. In the mid-twentieth century, the violet enjoyed a brief resurgence in popularity, but even then, around 1956 there were just 50 or 60 houses left in Red Hook and Rhinebeck combined. The Trombini family of Rhinebeck, whose greenhouses stood near the Dutchess County fairgrounds, were the last to cease operations, in the late 1970s.

Nevertheless, nostalgic Red Hook residents can still purchase a nosegay of violets in season from Fred Battenfeld, who maintains one small bed of Frey’s Fragrant violets for old time’s sake. Battenfeld’s greenhouse is otherwise filled with anemones, the twenty-first century crop of choice.

Kathy Leonard Czepiel was born and raised in Red Hook. She is the author of the historical novel A Violet Season, which will be published by Simon & Schuster in July.

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