by admin

The West Point Concert Band will present a concert on Saturday, August 11, at 6:30 p.m., at Montgomery Place in Annandale-on-Hudson, located off Route 9G. The performance is part of the Town of Red Hook Bicentennial Celebration. This concert is free and open to the public.

The performance will be conducted by the West Point Band’s Deputy Commander, Major Derrick Shaw, and the West Point Band’s Associate Bandmaster, Chief Warrant Officer David Downer. The program will feature music from a variety of movies. Popular themes include music from The Godfather, Titanic, Forrest Gump, Independence Day, and Spiderman. For the Broadway enthusiast, the Concert Band will perform songs from West Side Story, The Lion King, The Sound of Music, and Singin’ in the Rain.  No performance of film music is complete without the music of John Williams, as his themes from Star Wars, Schindler’s List, Harry Potter, and Saving Private Ryan are performed.

The Town of Red Hook Bicentennial Celebration began on May 12. Initial preparation started in 2010 with the intent of celebrating and preserving Red Hook’s history. Events include food tastings, tours of historical buildings, theatre productions, concerts, and the unveiling of the Red Hook Bicentennial quilt. The Red Hook Bicentennial celebration will conclude on October 13. Check the website for a detailed schedule of events, www.redhook200.org.

The West Point Band

The West Point Band is the U.S. Army’s oldest active band and the oldest unit at the United States Military Academy. Today’s band consists of four components: the Concert Band, the Jazz Knights, the Hellcats and Support Staff. They combine to form the Marching Band. The organization fulfills all of the official musical requirements of the Academy, including military and patriotic ceremonies, public concerts, sporting events and radio and television broadcasts, as well as social activities for the Corps of Cadets and the West Point community.

As the senior premier musical representative of the United States Army, the band has appeared at many historical events. It performed at the dedication of the Erie Canal; at the Chicago and New York World’s Fairs; and for the funerals of Ulysses S. Grant and Franklin D. Roosevelt as well as the inaugurations of numerous presidents. Additionally, the West Point Band has collaborated with some of the finest musical ensembles in the country, including the New York Philharmonic and the Boston Pops. Members of the West Point Band have also been showcased in Carnegie Hall and featured on The Today Show, 60 Minutes, Dateline NBC as well as on documentaries airing on The History and Discovery Channels.

Comprised of graduates from America’s finest music schools, the musicians of the West Point Band continue to present provocative performances while providing the Corps of Cadets with a piece of living history. For more information, visit www.westpointband.com. West Point Band news can also be found by following them on Facebook, YouTube, and Twitter.

by Linden Avenue Middle School Students

Old Wooden Chest

by Emily Shein, Grade 6

The ladder creaks as I slowly climb up to the attic.
I blow the dust off of the old wooden chest.
I fiddle with the lock, cursing under by breath.
Maybe this time I’ll get it open…

I stand up and realize there’s a hole in my petticoat.
I push my mop-cap out of my face.
I look around for my clothespin doll.
I must have dropped it somewhere.

What’s that?
Horses are pulling up to the Elmendorph!
Who could be checking into the Inn at this time of night?
As he steps out of his carriage, I realize he looks familiar.
Have I seen him in the paper?
I have.
He must be Governor DeWitt Clinton!
My dad would be thrilled if I met him.
I’m about to run outside to see him when –

I hear my mom calling me downstairs for lunch.
She asks me why I was in the attic all morning.
But that doesn’t make sense.
I was only in the attic for ten minutes.

I can still smell the horse manure.
I can still put my hand through the hole in my petticoat.
And I know that the old chest caused all of this.
Somehow.

I love Red Hook because it’s small enough for me to be able to see the people I know and love almost every day. ~ Emily

The following poem, “Our Red Hook.” is a collaborative effort of the Abilities First students at Linden Avenue Middle School. The program supports students with severe physical and mental limitations.

Our Red Hook

by Abilities First Class

Red Hook
1812 RH became a town.
Holy Cow ice cream.
Walking in the town.
Bringing letters to the Post Office.
Hannaford
Village Pizza
Stewart’s green ice cream
Free coffee from Xtra Mart
LAMS, Room 165
Waving at people during our walks.
Going to Spanish and art class.
An Apple A Day Diner
Historic Village Diner

by Kathy Leonard Czepiel

At the turn of the twentieth century, Red Hook was home to a now-forgotten industry. In fact, many Red Hook natives are unaware that it ever existed. But at one time Red Hook, Rhinebeck, and the mid-Hudson Valley were known as “The Violet Capital of the World.” Look closely today, and you’ll notice little hints that remain: the name Garden Street, the greenhouses on the Battenfeld farm in Rock City. Some people even claim that the profusion of wild violets blooming in their back yards each spring are the descendants of cultivated violets that escaped from old greenhouses.

Cultivated “sweet violets” were brought to the Hudson Valley from England by William Saltford in 1886. The mid-Hudson Valley was the perfect location for growing violets for several reasons: easy access to the major market of New York City via train, enough seasonal laborers (many of them women and teenagers), and an abundant supply of fresh soil, which was replenished in the greenhouses each year. At its peak, Red Hook had 350,000 square feet of greenhouses belonging to 40 different growers. Milan and Poughkeepsie were also home to numerous violet farms, and Rhinebeck boasted 115 growers.

The violets were hardy flowers. If stored properly in tanks of cool water, some varieties would last for up to two weeks after picking, and Red Hook growers shipped their flowers throughout the eastern United States, to the Mississippi River and beyond. However, the violets were not easy to grow. The plants were vulnerable to diseases and pests such as botrytis, “green fly” and red spider mites, and they required careful attention, particularly in the early, hot months of the growing season. The flowers were grown in greenhouses, which allowed farmers to maintain the desired temperature for the cool-weather crop. In the summer, when the plants were young, air was kept circulating through the houses by opening ventilating panels in the roof, and sometimes the glass was shaded with a coat of lime. In the winter, coal-fired furnaces kept the flowers from freezing. Because they were growing indoors, the plants had to be watered by hand. In those days before most farms had electricity, this meant using a hand pump and a watering can.

The violets were tricky to pick as well. Because every possible foot of space inside the greenhouses had to be planted, aisles between the raised beds were narrow. In order to reach the back of the beds, pickers rested narrow wooden boards on the heating pipes at the far side and the edge of the beds closest to them, and inched their way out on the boards, lying on their sides to pick the flowers. This feat required balance and cannot have been a comfortable way to spend a nine-hour shift. Nevertheless, a strong picker could collect 15 to 20 bunches of 50 blooms each in an hour. The picking season ran from mid-October through Easter. For that end-of-season holiday alone, more than a million blooms were often shipped.

Each violet greenhouse was outfitted with a packing room, where workers would add decorative galax leaves, tie off the bunches, “boot” them to keep the stems moist, and pack them in cardboard crates for shipping. Wagons piled high with violet boxes could often be seen heading down to the railway express office. Residents recalled the especially pleasing aroma of the white violets, but the aroma of manure was always close by. In a 1997 interview with the Rhinebeck Historic Society, violet farmer Richard Battenfeld recalled buying manure from New York City and having it shipped up by box car. According to the interviewer’s notes, “Everybody liked the New York City manure because it was straw-based and had very few weeds.”

The demise of the violet industry has been blamed on a number of factors. The costs of heating and labor skyrocketed after World War I. By the 1920s the violets were seen as old-fashioned, a flower one’s grandmother might wear. Women’s fashions had changed; their clothing was no longer as sturdy, and it was impractical to pin a heavy corsage of fifty violets at the waist or the shoulder. In addition, a short-lived Broadway play, The Captive, about an illicit lesbian love affair, used violets as a love token, thus giving the flower an association that, to many, seemed unsavory. The market was no longer booming, and backyard growers took down their greenhouses and gave up the business. The larger operations continued, although they, too, eventually succumbed to a continued downturn in the market. At one time, there were 400 violet greenhouses in the mid-Hudson Valley. In the mid-twentieth century, the violet enjoyed a brief resurgence in popularity, but even then, around 1956 there were just 50 or 60 houses left in Red Hook and Rhinebeck combined. The Trombini family of Rhinebeck, whose greenhouses stood near the Dutchess County fairgrounds, were the last to cease operations, in the late 1970s.

Nevertheless, nostalgic Red Hook residents can still purchase a nosegay of violets in season from Fred Battenfeld, who maintains one small bed of Frey’s Fragrant violets for old time’s sake. Battenfeld’s greenhouse is otherwise filled with anemones, the twenty-first century crop of choice.

Kathy Leonard Czepiel was born and raised in Red Hook. She is the author of the historical novel A Violet Season, which will be published by Simon & Schuster in July.

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